Equipment list:
(Top shelve from left to right and top to bottom)
Ror(speaker)
Sony PCM F1 Digital Audio Recorder on betamax
Sony Video Deck 2channels digital Audio + 2 channels HiFi for timecode etc.
Philips 650 CD player
2x TC2290 stereo sampler delay 32sec at 1MHz sample rate
Pitch control for Philips CD
(Rack 1 top to bottom)
DBX custom compressor/limiter
Urei L1178 Compressor limiter
Teac 4channel parametric eq
2 x Yamaha MV802 Line mixers for fx returns
(Rack 2 top to bottom)
Ada analog delay
Yamaha Rev7 Reverb
Yamaha SPX90 Reverb
Yamaha TX802 Sound Module for Bass sounds
Akai S900 sampler
(Rack 3 top to bottom)
on top: Roland TR808 drumcomputer
Lexicon PCM70 reverb
Roland D550 Sound Module
Akai S900 Sampler
(bottom Row)
Revox PR99 tape recorder
2 x TEAC Model 3 mixer
Patchbay for mixer
2 x Yamaha TX7 Soundmodule
Roland PG1000 controller for D550
Roland MC505 sequencer
Roland SBX80 synchroniser
below: Roland alpha Juno 2 keyboard
(out of view on left and right)
2 x Technics SL1200
Fostex B16 16 channel multitrack recorder
Korg MS10 synthesizer
TEAC A3440 4 track tape recorder

Mixes made here include Phil Collins, Hot Chocolate, Holiday Rap, Fun Fun, and many more. The speakers
used on these mixes are the small ones on the upper shelve, called ROR's. They are a kind of "Auratones,
but with a passive filter to attenuate the mid frequencies.

After being complimented on several mixes by engineers at the abbey road studios in London, I decided to stick with this apparently successful way of mixing and monitoring for quite some time. Unfortunately ROR's are no longer made.